Robert J. Sawyer. Photo by Adrià Guxens |
You only
need to cross a couple of words with Robert J. Sawyer to realize he’s a very
wise man. You also soon realize he’s a university professor because when he talks
about a deep matter, he doesn’t give up until you have understood what he
wanted to say. But since he is wearing a strange Asian T-shirt with a golden
dragon, you would never say he’s one of the very few writers who have won the
three most important science fiction awards out there –the Nebula, the Hugo and
the John W. Campbell. Instead, you may thing he is another fan who has come to
the Celsius 232 Festival of Avilés to get to know his idols. But what’s most important
for Robert is not the shape, but the content; the metaphors that are hidden in
a book. Thus, he argues science fiction (sci-fi) should be named philosophical
fiction (phi-fi) because the goal of this type of literature is to throw
questions.
Adria’s News
talks with this Canadian author who is very proud to be the first science
fiction writer to own a webpage. “That’s the reason I have the coolest domain”,
says, referring to his site, www.sfwriter.com.
In this interview Robert is the last one to ask a question: “Do you have by any
chance a car so Steven Erikson, my wife and I can go to the Astúrias Jurassic
Museum?” His, is an addiction to knowledge and history that seems to have no
limits.
You are called the Dean of Canadian Science
Fiction. Do you feel you have a big responsibility?
It was the
CBC that first called me that and I do think it comes with some responsibility.
I’ve been very active in lobbying for the various art councils in Canada to
recognize the value of science fiction and fantasy. Earlier this year in the
Ottawa Citizen, which is the largest circulation newspaper in Canada’s capital
city, I wrote an opinion piece about the fact that the Canada Council for the
Arts has systematically ignored science fiction, including my own work, in my
case for almost 20 years.
Fortunately, things changed for you.
Yes, I’m
lucky enough to have a platform, a voice, on the Canadian national stage and I
do think I have a responsibility to remind the Canadian people and the Canadian
Government that we have world-class science fiction and fantasy writers in
Canada. I’ve spent an enormous amount of time mentoring and working with young
emerging Canadian science fiction and fantasy writers. Right now I’m working
with a native Canadian woman. Science fiction has marginalized our native,
aboriginal people, so she is marginalized in three ways: marginalized as a
woman, marginalized as a native and marginalized as a science fiction writer. I
have chosen to mentor her because as Peter Parker would say: “With great power
comes great responsibility”.
You are also one of very few writers who have
won the three major awards of science fiction: the Hugo, the Nebula and the
John W. Campbell. Did you expected to win them?
I won the
first of the three in 1996, the Nebula, and although I loved winning them all,
that was the one that changed my life. Overnight, I went from being a promising
newcomer to an established, bankable name. It changed my economical
circumstances. I had been a full time science fiction writer for about four
years at that point, but it was a marginal living. Winning the Nebula changed
everything. My American advances doubled, my Japanese advances went up five
times... I never had to worry again about being published or having an
audience. The other two awards came later, next the Hugo, finally the John W.
Campbell Memorial Award and they certainly were wonderful to win, but the life-changing
one was the Nebula.
Canada “I
have a responsibility to remind the Canadian people and Government that we have
world-class science fiction and fantasy writers in Canada”
On your early years you wanted to be a
palaeontologist. Why a palaeontologist?
I’ve been
fascinated by dinosaurs my whole life. My friend Robert Charles Wilson, another
Canadian science fiction writer, also a Hugo winner, says of me that I never
outgrew my childhood fascinations: dinosaurs, science fiction, pizza and
chocolate milk. I think he’s correct [Laughs].
They’re all nice fascinations.
They’re
wonderful! But to me, I’m drawn to dinosaurs for the same reason I was drawn to
science fiction, which is that they are an alien form of life. When I was a
kid, we had no notion that this park [the interview is being held in a park] was
filled with dinosaurs because in 1960s we didn’t know that birds were
dinosaurs. We thought these great creatures had lived and died possibly from
some cosmic catastrophe, which was later confirmed. They were alien in every
aspect. I like the detective story of piecing together from fragmentary remains
and subtle hints in the fossil records what their physiology and lifestyles
might have been like. It stills fascinates me! My friend Steven Erikson, who
you’ll interview next, is an archaeologist. The same thing! The fascination of
civilizations and forms of life that did exist, but don’t exist anymore. That
asks a deep question: why are we lucky enough to exist now?
You mentioned aliens. Do you think they exist?
Absolutely.
Will we get in touch this century?
That’s a
different question [Laugh]. You know, there are maybe four hundred billion
stars in our galaxy and there are billions if not trillions of galaxies. It
seems highly probable that there’s life elsewhere in the universe; that some
small smidgen of planets would have lead to intelligent life. I even suspect
there is life in our Solar System, on Mars, on the Oceans of Europa, you know?
Under the surface. So I don’t believe in aliens because there is no empirical
evidence for them, but I think it’s highly likely that aliens exist. And if
we’re ever to make radio contact with them, I do believe this is the century
that we will either make contact, as in to detect an intelligible signal, or
will have done a sufficiently wide range of surveys to say that statistically
it is likely that we are alone. Either answer is astonishing, but we will have
one or the other by the end of the century, yes.
Science Fiction “Its job is not to predict the future but to
present the whole range of possible futures so that we can choose what future
we want”
Your work highlights the intersection between
science and religion. Why are you attracted to this mixture?
Because, I
don’t know how it is here in Spain, but in the United States, in particular,
we’ve seen a nation that was the most technologically advanced of the 20th
century -the man on the moon, the nuclear power- sliding backwards into a
superstitious nation that actually demonizes science and scientists. The whole
world is teetering at the edge of its existence because of climate change,
which is indisputably caused by humans. It is also an indisputable fact for the
consensus of scientists worldwide that the climate is changing and that we are
the cause and, therefore, only actions taken by us will solve the problem. We
have what was the most technological nation that the world has ever seen
sliding backwards and despairing science for religious reasons. The survival of
the human race! Myself, you, everybody depends on this war between science and
religion. But this war has to be treated now or we will die as a race, and
there is no more important issue in our time. It’s our decision whether or not
we are going to choose rationalism, which is a path to -ironically- salvation,
or mysticism, which is a path of Armageddon.
I can see your strong scientific side. However,
are you religious?
No. I’m not.
I have a great deal of respect for religious people who question things with an
open frame of mind. There is a metaphor in my novel Wake (2009), which is about a blind girl whose best friend happens
to be Muslim and claims to feel the presence of God in her life. The blind girl
has to think about this and says: “Well… when she says to me that she can see
stars in the sky, which I have never seen, when she says to me that she can see
rainbows, which I have never seen, when she says to me that the top of the
street, which I’d never reach, has greenish objects, when I’ll never know what
green is…” Is she just making it up? Is she delusional? Is she lying to me? Or
does she really have an experience that I’m incapable of, for whatever neuronal
problem I’m subjected to, which is the more likely hypothesis. What about her
religious beliefs? That she has been touched by someone who has not touched me
and I suspect that I’m not wired intellectually to experience. So there is
something… I don’t believe that a God exists.
What about after-life, immortality? Another
topic in your novels
I don’t
believe in an after life… Actually, I think to believe in an after life is the
most perniciously wrong human notion ever. Fifty-five days ago my younger
brother died. Is he gone completely or is his soul somewhere in heaven or hell
or whatever, limbo, who knows? No. He’s gone completely. The biochemical
processes that were Alan Sawyer ceased to be last month. Those chemical bonds
broke down and he is gone. I’m absolutely convinced of that. He would have been
convinced of that. I’m also convinced that we are at a cusp beyond the one I
mentioned about climate. My generation, and I was born 1960, is either the last
generation to die after a natural life span or the first generation to live an
extended life span beyond anything that someone has experienced. I’ve seen that
here, in Aviles, they’re doing Hecuba,
by Euripides. I’m a big fan of Greek tragedy. My favourite Greek playwright was
Sophocles. How old did Sophocles live to be?
I don’t know.
Ninety! A
nice acceptable age 2400 hundred years ago! It was exceptional, but not
miraculous. Today, ninety years is a good age to live. Some people, nowadays,
live a hundred years and maybe someone in the Ural Mountains 110. That’s it. I
think 115 is the best that has ever been documented or around that. So my
generation either has its older member die at 115 or so, or will we start to
have the first to live 120? I think that absolutely is a technological reality
that will happen; there’s nothing miraculous or supernatural about death. It’s
a biochemical process. And I’d rather choose to live longer.
Religion “I
think to believe in an after life is the most perniciously wrong human notion
ever”
Why?
One, I enjoy
life. Two, questions such as communicating with extra-terrestrials, and the
only way to communicate back and forth through thousands of light years, is an
extended life span. Otherwise, you ask a question and when you get the answer
it’ll be another guy who will answer. So we need longer life spans to be part
of the Cosmic Civilization.
So we need a longer life span to debate bigger
philosophical questions…
Yes, because
we still have to debate today so many of these issues, such as do we have free
will or not? Interesting question, what I’m writing about right now in my
latest novel, the abortion debate, when does life begin? We’ve been debating on
this forever without real progress. One plausible answer is that these
questions are beyond our human capacity. I don’t buy that. The other
possibility is that they take more than several decades to solve. There has
been no philosopher that has spent more than a century on any of these
questions and maybe it’s a question that needs 120 years of study and
contemplation to solve. We simply press the reset button to let the next
generation try and solve some of them. A longer life span is clearly necessary.
Why do you write science fiction and not
fantasy?
Although
everyone tends to put them together I think they are antithetical. Science
fiction is about things that plausibly might happen. There is always a way to
get from our here now to the milieu of a science fiction story. The normal way
is for time to pass and during that time reasonable changes happen on
technology and social structure. There is never any way to get from our here
now to the milieu of fantasy story. Fantasy is about things that could never
happen, that disconnect. And I think science fiction is important as literature
because it talks about what the future might actually be; its job is not to
predict the future but to present the whole range of possible futures so that
we can choose as a species what future we want to make a reality.
Fantasy “A
message grounded in reality is always more important than a fairy tale, and it
always will be”
You mean it can be used to produce thought…
I mean, in
fantasy it’s all well and good that you defeat the Orcs, and kill the Elves,
and capture the ring, and go back the The Shire, but it has nothing to do with
our real life. Although occasionally a fantasy writer of great literary
ambition can find a way to say something metaphorically interesting about the
human condition, the fact that they set up in a milieu of the impossible tends
to take away the power of whatever they want to say. Nobody rallies around The Lord of the Rings as an important
work; it’s entertainment work, beautifully written, but not important. Fahrenheit 451, translated: Celsius 232!
[The name of the Festival where we hold the interview] is important. Brave New World, science fiction, is
important. Even H. G. Wells’, The Time Machine, which talked about British class structure, is important. So a
message grounded in reality is always more important than a fairy tale, and it
always will be.
You have been teaching science fiction to young
writers. Do we have talent for a lot of years? Is it alive?
Yes, it is!
There’s astonishing good writers writing science fiction right now, and the
quality of the prose is so much greater than it used to be. The Internet
changed the world wonderfully. Now, in my own case, I have no fewer than twenty
people read in common on each manuscript prior to its publication. That
feedback is invaluable and it’s the Internet that enables me to have experts
and colleagues, some of whom read for style, some of them for technical issues,
some of whom read for the political content of my work and give me feedback. It
brings the level of the work up, the best science fiction that has ever been
written is being written right now. Fifty years from now we will have the
science fiction of the year 2063, when I’ll be a 103 and still going, I hope,
it will be the best science fiction I’ll have written. Absolutely, it is a wonderful
time to be a science fiction writer.
Why now?
Because we
are getting more and more cosmopolitan, and we have more countries where
science fiction is being written. Science fiction was invented by a Frenchman,
Jules Verne, and an Englishman, H. G. Wells, and later arrived in the United
States, but now we have great Spanish tradition of science fiction, Japanese
tradition, Chinese tradition, South American… We are living the Renaissance of
science fiction.
Science Fiction “The best science fiction that has ever been
written is being written right now”
- Interview with George R.R. Martin (A Song of Ice and Fire).
- Interview with Patrick Rothfuss (The Kingkiller Chronicle).
- Interview with Neil Gaiman (American Gods).
- Interview with Brandon Sanderson (Mistborn)
- Interview with Tim Powers (The Anubis Gates).
- Interview with Joe Abercrombie (The First Law series).
- Interview with Steven Erikson (Malazan Book of the Fallen).
- Interview with Adrian Tchaikovsky (Shadows of the Apt).
- Interview with Dmitry Glukhovsky (Metro 2033).
- Interview with Lisa Tuttle (Windhaven).
- Interview with David Simon (The Wire).
- Interview with Christopher Priest (The Prestige).
- Interview with Ian Watson (Artificial Intelligence).
- Interview with Robert J. Sawyer (FlashForward).
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